The gentleman of Queens. Pieter-Dirk Uys #UysEish @TannieEvita @Monte_Theatre @EvitaSePerron @BuzPR


Dear friends and other interesting creatures,

You cannot afford to miss the latest offering from Pieter-Dirk Uys,  An Audience With Pieter-Dirk Uys Eish! #UysEish ! The marvelous @Monte_Theatre was packed, I would have sat on the floor if I had to, it was that awesome… and the audience was superb.

I’m a huge fan of this brilliant man,  without whom Theatre, South Africa and those that protest without violence would be poorer for sure.

The laughter at ourselves done so effortlessly,  the past never sugar coated  and the future always one to believe in.

Off course Tannie Evita was also there my skat!

A legend at work.  OUR LEGEND.

On stage until April 12th, 2015. One of his BEST!

I wish you koeksisters,
NocturnWenchLogo 3

Posted to WordPress from the Galaxy of Samsung from the second cloud on your left.

#Constellations @Monte_Theatre @JannaViolante @AshleyDowds by @Brian_Trudgeon

Dear friends and other interesting creatures –

I present a guest blogger, @Brian_Trudgeon with a passion for the arts, bears, writing and drawing. I am sure you will enjoy his review of Constellations now on at @Monte_Theatre.

I wish you enough,


08 August 14 – 28 September 14

What a truly stellar piece of writing by Nick Payne. The play tells of a love story that may or may not have taken place in an unlikely collision of paths. Marianne the Quantum Physicist meets Roland the Bee Keeper at a party.

The story plays out across several parallel universes sharing the same space in time. They meet and it ends there. They meet and Roland walks away from a possible infidelity, as he is a married man. In an alternate universe they fall in love.

In one universe he cheats on the marital home, in another she is the infidel. They part forever, or do they? In another universe, can they re-kindle what they had?

Marianne is played by a very talented Janna Ramos-Violante who has distinguished herself in multiple disciplines winning awards as an actress, playwright and director. Her performance in Constellations certainly is stellar. Her perfect English accent, comic pause and timing are outstanding. I am a fan.

Roland is played by Ashley Dowd, well-known to South African’s as a TV presenter, actor on Scandal and Generations as well as author of a travel journal. His plays a very believable role and makes Roland a very endearing character. The perfect Bee Keeper to a Quantum Physicist. He brings a lot of depth and human warmth to his role.

As a duo, they make for a stunning production. They play off each other very well and keep, what could be a repetitive and slow-moving production very interesting. A perfect casting for a really witty and intelligent thought-provoking piece of play writing.

Mention has to be made of the direction of the award-winning Alan Swerdlow, who has done a masterful job of bringing this award-winning play onto the South African stage. A privilege in view of the fact the play will only make its Broadway debut in 2015.

The set is very minimalist and lends itself well the action taking place on stage. Telling a good story can be done with the minimum of props and lighting effects. Lighting truly was used to signify the switch between universes at most. The soundtrack was all it needed to be. No more, no less. Perfect.

If I am to summarise I would say, a very brave production that explores life and how small changes can lead to a multitude of consequences and outcomes that can be happy or sad. The permutations can become endless. As humans we all play a game of, “What if I had done this or that differently? Where would I be now?” Constellations explores this aspect of humanity in a warm, witty, intelligent and honest way.

This is definitely a thinking person’s play and very well worth watching.

Brian Trudgeon Twitter: @Brian_Trudgeon A forty something IT Geek, want to be great artist. Quirky, Queer, proud father to three with a humanitarian bent. I still don’t know what I want to be when I grow up. I have always enjoyed writing and have been published anonymously and otherwise. I can claim to be an accidentally published photographer. In my spare time I like to sketch or write the occasional piece of poetry. Born in me is a great love for live performance of any kind and I have great admiration for anyone who offers themselves up on an altar that is the stage.


Dear friends and other interesting creatures,

I had the great pleasure of being invited to the rehearsals of #CallMeLee a while ago with my blue eyed boy wonder son @LJ_Cadger, who is a huge @WesleeLauder fan.

At one point @ianvonmem @JonathanRox and @_RoelofColyn was all in one room with me. I literally held my breath.  This is the cream of the crop, the cherry on top of gifted pianists! Such joy! #blessed!!!!

Enter my fabulous friend @WesleeLauder who introduced me to @samuel_26_hyde and my day was made.

@ianvonmem sitting a few chairs away directing #CallMeLee… I thought to myself, nothing compares to the feeling that watching,  experiencing and seeing a box of theatrical tricks unfold before me.

It is an excitement filled with expectation and wonder.  I am Dorothy in my red shoes,  Alice in Wonderland going down the rabbits hole… and on the other side –  I am whole.  Content. Fulfilled.  Fed. My soul rejoice. I feel with sincerity sorry for people who do not have something in their lives that is that fulfilling.

I had no idea what to expect from #CallMeLee.  Thankfully I am always in for a treat when the visible and invisible curtain raises… and by the end I cried and gave these talented performers a standing ovation. WOW!


The following is from the official press release:

Multi-award winning theatre star Jonathan Roxmouth is back with his new piano show, CALL ME LEE! Following the success of A HANDFUL OF KEYS, THE PHANTOM OF THE OPERA and most recently, SUNSET BOULEVARD, Roxmouth pays tribute to Mr. Showmanship – Liberace – “Lee” to his friends – in this concert biography with lighting by Denis Hutchison and direction by Ian von Memerty.

In CALL ME LEE, Roxmouth traces the journey of the man who became Liberace through the well-known classics that made him a showbiz icon and popular pianist for more than 40 years. Everything from the Boogie Woogie to the Beer Barrel Polka, Tchaikovsky to Chopin and of course nostalgic hits like “I`ll Be Seeing You” and “I`m Always Chasing Rainbows” make up a selection of music that guarantees something for everyone.

Joining Roxmouth as Liberace onstage are two exciting new talents. Weslee Lauder and Samuel Hyde play all the colourful characters in Lee`s life from his brother George to his long-time manager Seymour Heller all the way to Frances Liberace: Lee`s “Mom”! CALL ME LEE also features some of the most lavish, glittering costumes (and fur coats) seen on the Theatre on the Bay and Montecasino stages by glittering designer Lena Olivier worthy of the memory of Mr. Showmanship.

Music. Glitter. Laughter. What more do you need for a great night out at the theatre?

Jonathan phoned me yesterday while I was in the bath tweeting as one does…. and this is the interviewed that followed :

1.  Why the need for #CallMeLee? Where did the birthing process start?

I have always wanted to do a show about him and never understood why there wasn’t one out there already. He was a completely unique theatrical phenomenon and it cried out to be brought to the stage. I finally took the leap and am so proud of what has come out of it. 

2.  How difficult was it to prepare for such a complex character as the man himself was? During rehearsals, you make it look effortless. 

Surprisingly difficult actually. He has been parodied by everyone from comedians to the recent film starring Michael Douglas. People single out the “camp” factor and turn him into a treacly joke. He was more than that. He exuded child-like joy when in front of an audience and was regarded as one of the nicest people in show business. To try and capture the truth of the man was my goal. Not the curtain calls, the moments after those backstage and with his family.

3.  In my view,  you are one of the most outstanding pianists in our country.  What drew you to the piano?

That’s very kind of you. It was just one of those things. I saw it in primary school and just knew it was for me.

4.  What stood out about Weslee and Samuel that they got the multiple supportive roles that they play? 

Weslee gave the best audition I have ever seen. He was Liberace’s mom, brother and agent. I knew he had to be in the show. Samuel came in and sang beautifully and I knew we had found the best Scott for our show.

5. What do you personally enjoy most about the production #CallMeLee? 

I love watching the audience fall in love with the charm of Liberace. We hardly changed any of his “performance” bits and even now – 27 years later – it has them grinning and laughing all over again.
I look forward to seeing #CallMeLee next week at @Monte_Theatre! All those gorgeous wardrobe changes!

I wish you enough,

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